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The Saviors of Central Park: Part Three: Pam Tice

My online dictionary defines the word “organization” as 1) “an efficient and orderly approach to tasks” and 2) “an organized body of people with a particular purpose, especially a business, society, association, etc.,” thus implying a consensual approach within the workplace, as opposed to the structural nature of hierarchy, which is defined as “a system or organization in which people or groups are ranked one above the other according to status or authority. “Collegial,” which, on the other hand, is defined as “shared responsibility, as among a group of colleagues” is the term I would most associate with the social tenor of the Central Park Conservancy; however, the name “Collegium” which refers almost exclusively to “a society of amateur musicians, especially one attached to a German or US college,” would not have been an appropriate moniker for the public-private partnership that has evolved under the name “Central Park Conservancy. The fact that the dictionary definition of “conservancy” as “a body concerned with the preservation of nature, specific species, or natural resources: the Nature Conservancy” is partially apropos, and my choice of this name for the successor of the Central Park Task Force is a source of pride for me. It is important to note that the Central Park Conservancy has never been an activist organization giving public voice to prod city government to provide for the entire upkeep. Instead, thanks to the collegial relationship forged between me as the organization’s founder and Pam Tice, whose professional management skills as chief executive officer helped steer the course of this civic organization’s first five years of existence. READ MORE >


The Saviors of Central Park: Part Two: Geri Weinstein-Breunig

How does a fledgling not-for-profit civic organization assume responsibility for the permanent horticultural care of a 830-acre public park in which lawns and meadows need regular mowing and periodic re-sodding; shrub beds call for regular weeding, composting, and replanting; and trees demand to be pruned and inspected for insect-borne diseases? Geri Weinstein, The Central Park Conservancy’s first head of horticulture, hired and oversaw the work of other employees in these areas of sound landscape maintenance. Her story in her own voice is that of a savior. READ MORE >


The Saviors of Central Park: Part One: David Robinson

Back in the 1980s when the recently incorporated not-for-profit Central Park Conservancy was building a substantial donor base and was able to offer field-operations jobs, ancillary staff duties, and contracts for special projects, the manual and intellectual skills, aesthetic sensibilities, and visions for the Park’s betterment as a naturalistic landscape offering opportunities for both active and passive recreation were evident in the work performed by some of its highly gifted employees. One of the primary saviors of Central Park in this era of its 167-year history was David Robinson, whose expertise as a self-taught woodworking artist brought about the rebuilding of the rustic structures that originally graced the Park, thereby providing a legacy for today’s rustic structures restoration crew. READ MORE >


A Beginner’s Education in the History, Natural History, and Landscape Design History of Central Park: Part Seven

As Homo sapiens we leave our mark on the places we design, remodel, destroy, and restore. Some places, which are broadly cherished, slide into oblivion through the indifference that turns the meaning place into the use space as a receptacle where “Anything goes” is more than a Cole Porter song title. Can such places be revived? Such was true in the case of Central Park. To learn how this came to pass take a walk with me and the writer Eugene Kinkead, author of Central Park: The Birth, Decline, and Renewal of a National Treasure. READ MORE >


A Beginner’s Education in the History, Natural History, and Landscape Design History of Central Park: Part Six

“Let’s get our secrets out in the open,” has a familiar ring. If this rule is made relevant with regard to the wildlife in Central Park, we must follow in the footsteps of some of the former and present-day regular human habitués among whom some are authors who have been intellectually and emotionally, as well as visually, engaged in making daily contact with the Park’s often-elusive permanent and migratory wildlife. My deeply rewarding friendship with a Central Park “regular” named Lambert Pohner, a knowledgeable amateur naturalist and passionate Central Park devotee, is evident in this entry’s transcribed selections from the four hard-bound account books in which a total of 804 pages with 34 lines to a page bearing my handwriting in the weekly entries I made between the beginning of 1980 and the end of 1991. In this post, meet Lambert and experience my love of the Park being nourished by lessons in the nature of Nature combined with its nurture and respect for Olmsted and Vaux’s picturesquely naturalistic design. READ MORE >


A Beginner’s Education in the History, Natural History, and Landscape Design History of Central Park: Part Five

“What's in a name?” queries Shakespeare in “Romeo and Juliet.” Note this one: The 840 acres assigned to Central Park was due to the fact of its location within the surrounds of the middle reservoir of the Croton Aqueduct’s chain of receiving and distributing water basins (during its existence between 1842 and 1955) is the result of the mid-nineteenth-century advocacy by citizen proponents for the creation of a recreational open space to be achieved by the exemption from private ownership of platted lots between Fifth and Eighth Avenues from 59th Street to 106th Street, an area heretofore within the confines of New York City’s official grid plan for laying out intersecting thoroughfares of streets and avenues. The Central Park, published in 1926 by as a civic group named The Central Park Association, whose mission was almost identical to that of the Central Park Conservancy more than half a century later, provides an excellent history of the advocacy, design, and building of the park. Of special interest, the second half contains complete descriptions of the honorifically bestowed names of each of the park’s eighteen entrance gates as a means of burnishing the image of New York City as a great metropolis filled with population of diligent citizens of various trades and occupations. In this post, follow in the footsteps of the committees that chose the names of the entrances to Central Park. READ MORE >


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JOURNAL ARCHIVE

DIARY

The Saviors of Central Park: Part Three: Pam Tice

The Saviors of Central Park: Part Two: Geri Weinstein-Breunig

The Saviors of Central Park: Part One: David Robinson

Venice Revisited

Wainscott: Cherishing Memories of my Former Home in a Non-Hampton Hamlet in the Hamptons

Hill Country Journal

Budding Poets in the Park

Central Park Conservancy 40th Anniversary

Nine-Eleven Remembered

ESSAY

A Speech on the Subject to Combatting Climate Change through the Preservation Green Historic Places.

An Analysis of the Sonnet as a Form of Poetic Expression

OBSERVATIONS

Reflections on the Meaning of Place

Central Park as Turtle Nursery

Part Five: Central Park as An Outdoor Museum

Part Four: Bethesda Terrace, Arcade, and Fountain

Part Three: Central Park as An Outdoor Museum

Part Two: Central Park as An Outdoor Museum

Part One: Central Park as An Outdoor Museum

Designing the Central Park Luminaire: Nature as Ornament

“The Gates” by Christo and Jeanne-Claude, 2005

Jacob Wrey Mould: Central Park’s Third Designer

America’s Greatest Example of Land Art

Summit Rock, the Tallest Point in Central Park as a Palimpsest of Multi-generational History

Discovering Central Park’s Above-ground Bedrock Foundations

POETRY

The Naming of the Park

The Life and Times of Garth Fergusson, Poet

NEWS

Writing the City

REVIEWS

A Beginner’s Education in the History, Natural History, and Landscape Design History of Central Park: Part Seven

A Beginner’s Education in the History, Natural History, and Landscape Design History of Central Park: Part Six

A Beginner’s Education in the History, Natural History, and Landscape Design History of Central Park: Part Five

A Beginner’s Education in the History, Natural History, and Landscape Design History of Central Park: Part Four

A Beginner’s Education in the History, Natural History and Landscape Design of Central Park: Part Three

A Beginner’s Education in the History, Natural History, and Landscape Design History of Central Park: Part Two

A Beginner’s Education in the History, Natural History, and Landscape Design History of Central Park: Part One

Lee County: The Setting of Barbara Kingsolver’s Demon Copperhead and Land of my Pioneer Ancestors

The Wind in the Willows